Showing posts with label YouTube. Show all posts
Showing posts with label YouTube. Show all posts

Monday, October 10, 2016

Donald Trump and Hollywood Omertà

Many people have seen, or at least read about, the now-infamous “hot mic” tape of a candid conversation between Donald Trump and Billy Bush in September 2005. News outlets and the internet are currently saturated with analysis of the content of this tape, in which Trump admits that his money and power permits him to commit sexual assault. The astounding crudity of the verbal exchange was seen as revealing the true nature of Donald Trump’s personality and attitude towards women, and the revelation of this tape may well prove to be the tipping point of the 2016 presidential election.

But this article isn’t about the content of the tape: it’s about why it took so long for it to be released. This is the part of this incredible story that seems to be under-discussed— and it relates directly to Hollywood, which is why it’s being discussed here.

The official story is the producer of “Access Hollywood,” Steve Silverstein, remembered this interview about two weeks before the release and dug the footage out of archives. This story is almost certainly false. The reason why it’s not believable is actually embedded in how the tape was recorded.

This political bombshell (more of a nuclear warhead) was taken from a segment of “Access Hollywood” which documented a cameo Donald Trump was making on the soap opera “Days of Our Lives.” It was shot on the backlot of NBC Studios in Burbank. A camera crew was following Trump and “Access” host Billy Bush: both men were fitted with lavalier microphones and transmitter packs which broadcast RF signal to receivers attached to the camera. During the publicly-released segment a cameraman had stepped outside the bus to set up a shot showing Bush and Trump arriving at the studio to be greeted by soap star Arianne Zucker. Thinking they were off-camera, the two men engaged in a crude, degrading conversation about women. Aside from the on-camera personalities there were seven people involved in this taping: two cameramen, the segment producer, a production assistant, Trump’s bodyguard and PR person, and the bus driver.

After this segment was shot, the footage was likely seen and handled by even more people: on-line and offline editors, more show producers, audio technicians and maybe even an archivist.

Charlie Chaplin, during one of his
many, many court appearances.
So about a dozen people— very likely more— heard and saw this footage in 2005. Yet NONE of these people recalled this conversation, one of the most devastating revelations of character any political aspirant has ever uttered? Particularly as this 2005 taping came on the heels of complaints by the cast and crew of Trump’s show “The Apprentice” about his crude on-set behavior? That is an impressive case of collective amnesia.

Hollywood’s code of silence strikes again.

The film industry has been creating and controlling secrets since the days of Charlie Chaplin (and Lita MacMurray) and Fatty Arbuckle (and Virginia Rappe). The studios all had (and still have) well-funded departments which handled public relations and “fixers,” producer-level executives who specialized in keeping indiscretions out of the press. (Hail Caesar was a thinly fictionalized account about a famous studio fixer.)

The culture of secrecy goes very deep in both the film and TV industries. Entertainment is an unusual industry in that the general public is constantly and intently curious about it. Supermarkets do not devote shelf space at the checkout counters with magazines dishing the dirt on astrophysicists and farmers, after all. Scripts and storylines have to be kept secret: details of film shoots are kept from public view as much as possible as well. The need for confidentiality rivals the Pentagon’s.

It’s all for the greater glory of the Industry, of course. That, and jobs. A scandal that would bring down a star would shut down production. A leaked script would kill off box-office potential. Finally, there’s the prestige factor: being on the set gives even the lowest PA or grip access to some of that rare stuff, Hollywood Glamor— stacks of non-disclosure agreements are willingly signed to gain access to that inner circle.

Why did this revelation take so long to emerge into the light of public scrutiny? The culture of Hollywood, a full century of studio secrets kept, reputations protected, indiscretions hidden. And they are so good at it: Did you know that Tom Cruise is only 5’7”? It took a LOT of will to overcome that much inertia and tradition.

Wednesday, September 30, 2015

The Wonders Of (YouTube) Space

Glamorous Italian Laura
Fantuzzi and I enjoying
free cappuccino in the free
photo booth 
I have been to paradise; it is known as YouTube Space LA in Playa Del Rey.

This weekend as the result of my involvement with a web series called The Noir Bizarre, I got to spend the day in one of the studios that YouTube provides for some of their members. Specifically, members who have over 10,000 followers. To encourage these people, Google provides them with a free studio, and free use of lights, cameras, and editing equipment. Also not insignificantly, cappuccino. You just walk out to the lobby and ask. You could get a latte instead but let's face it, if it's free you may as well get the cap.

It's not easy to find, hidden away like many good things. There is a whole community being built around there right now and somehow Google maps hasn't been completely informed about all the closed roads. Still, once you get there parking is free. This is my way to telling the rest of the cast why I was late. Sorry guys!

The studio we were in was little more than an air-conditioned box with a green screen, fortunate for us because we decided to set the scene on Mars. I won't dwell on the details of the shoot because it was plenty boring but know that if we were a maybe not all that prepared, the place accommodated us just fine. Had we storyboarded everything in advance, I'm sure it would be the same. It's kind of like everything on YouTube yourself... you think of something, look it up, and there it is, for free. Unless someone files a copywrite takedown notice, selfish bastards. Sorry, tangent.

The place was bustling with eager young indie filmmakers, having discussions in the lobby, liking each other on Facebook, drinking cappuccinos and taking selfies in front of any handy logo. There are plenty, believe me.

It would have been fun to stick around and edit there (on Apple's Final Cut pro, surprisingly) but the Noir Bizarre folk have their own stuff at home thanks. I got to see the bays though and it looks like you could complete a mighty fine feature film in that place.

Note, clear it with them first, just as a courtesy.

I'll happily go back when the chance arises though I don't know if I PERSONALLY have 10k followers on the horizon. Cross your fingers.